|
中文摘要 |
7-9 |
|
英文摘要 |
9-3 |
|
致谢 |
3-11 |
|
引言 |
11-18 |
|
0.1 厄普代克的生平和他的四部曲 |
11-13 |
|
0.2 文学评论 |
13-16 |
|
0.3 论文的主旨和意义 |
16-18 |
|
第一章 厄普代克文本的历史性 |
18-37 |
|
1.1.理论背景 |
18-22 |
|
1.1.1.新历史主义的出现 |
18-19 |
|
1.1.2.新旧历史主义的区别 |
19-21 |
|
1.1.3.文本的历史性 |
21-22 |
|
1.2.约翰·厄普代克的兔子四部曲的历史性 |
22-37 |
|
1.2.1.《兔子,快跑》 |
24-29 |
|
1.2.2.《兔子,回家》 |
29-33 |
|
1.2.3.《兔子,富了》 |
33-35 |
|
1.2.4.《兔子,休息》 |
35-37 |
|
第二章 厄普代克历史的文本性 |
37-43 |
|
2.1 历史的文本性 |
37-38 |
|
2.2 历史观和厄普代克对日常生活的描述 |
38-41 |
|
2.3 厄普代克的隐喻世界 |
41-43 |
|
第三章 厄普代克的叙述作为社会象征性的行为 |
43-48 |
|
3.1 理论背景 |
43-45 |
|
3.2.哈里的身份认同 |
45-47 |
|
3.3.厄普代克的叙述作为社会象征性的行为 |
47-48 |
|
结论 |
48-49 |
|
注释 |
49-60 |
|
参考书目 |
60-66 |
|
Acknowledgements |
66-69 |
|
Abstract(in English) |
69-71 |
|
Abstract(in Chinese) |
71-74 |
|
Introduction |
74-83 |
|
0.1 John Updike's Life and His Rabbit Tetralogy |
74-77 |
|
0.2 Literature Review |
77-81 |
|
0.3 Purpose and Significance of This Thesis |
81-83 |
|
Chapter One Historicity of Updike's Texts |
83-124 |
|
1.1 Theoretical Background |
83-89 |
|
1.1.1 Emergence of New Historicism |
83-84 |
|
1.1.2 Distinction between Old Historicism and New Historicism |
84-87 |
|
1.1.3 Historicity of Texts |
87-89 |
|
1.2 Historicity of John Updike's Rabbit Tetralogy |
89-124 |
|
1.2.1 Rabbit, Run |
91-98 |
|
1.2.2 Rabbit Redux |
98-106 |
|
1.2.3 Rabbit Is Rich |
106-115 |
|
1.2.4 Rabbit at Rest |
115-124 |
|
Chapter Two Textuality in Updike's History |
124-135 |
|
2.1 Textuality of History |
124-126 |
|
2.2 Notion of Histories and Updike's Depiction of Everyday life |
126-130 |
|
2.3 Updike's Metaphorical World |
130-135 |
|
Chapter Three Updike's Narrative as a Socially Symbolic Act |
135-144 |
|
3.1 Theoretical Background |
135-138 |
|
3.2 Harry's Self-identification |
138-141 |
|
3.3 Updike's Narrative as a Socially Symbolic Act |
141-144 |
|
Conclusion |
144-147 |
|
Notes |
147-158 |
|
Bibliography |
158-161 |
