|
摘要 |
3-5 |
|
Abstract |
5-9 |
|
INTRODUCTION |
9-12 |
|
CHAFFER ONE VIEWS OF METAPHOR |
12-21 |
|
1.1 DEFINITION OF METAPHOR |
12-14 |
|
1.2 CLASSICAL VIEW OF METAPHOR IN LINGUISTICS |
14-15 |
|
1.3 COGNITIVE VIEW OF METAPHOR |
15-17 |
|
1.4 CONCEPTUAL METAPHOR |
17-18 |
|
1.5 CLASSIFICATION OF CONCEPTUAL METAPHOR |
18-21 |
|
1.5.1 Structural Metaphor |
18-19 |
|
1.5.2 Orientational Metaphor |
19-20 |
|
1.5.3 Ontological Metaphor |
20-21 |
|
CHAPTER TWO COGNITIVE FUNCTIONS OF METAPHOR |
21-27 |
|
2.1 AN IMPORTANT MEANS OF UNDERSTANDING THE WORLD |
21-23 |
|
2.2 AN ESSENTIAL WAY OF CONCEPTUALIZING EXPERIENCE |
23-24 |
|
2.3 A COGNITIVE TOOL IN CREATING NEW MEANING |
24-26 |
|
2.4 ANALOGISM |
26-27 |
|
CHAPTER THREE BODY METAPHORS IN ENGLISH AND CHINESE |
27-54 |
|
3.1 THEORETICAL BASIS |
27-29 |
|
3.2 METAPHOR OF THE MAIN PARTS OF THE HUMAN BODY |
29-47 |
|
3.2.1 Head |
30-32 |
|
3.2.2 Face |
32-33 |
|
3.2.3 Ear |
33-34 |
|
3.2.4 Eye |
34-37 |
|
3.2.5 Mouth |
37-38 |
|
3.2.6 Tongue |
38-39 |
|
3.2.7 Hand %26 foot |
39-43 |
|
3.2.8 Heart |
43-47 |
|
3.3 FEATURES OF BODY METAPHORICAL COGNITION |
47-50 |
|
3.3.1 Analogy in Thinking |
47-48 |
|
3.3.2 Contradiction and Fixity in Semantics |
48-50 |
|
3.3.3 Reusability in Linguistic Form |
50 |
|
3.4 SUPERIORITY OF ENGLISH %26 CHINESE BODY METAPHORICAL COGNITION |
50-54 |
|
3.4.1 Superiority Resulting from Different Geographic Locations |
50-51 |
|
3.4.2 Superiority Resulting from Different Linguistic Types and Forms |
51-52 |
|
3.4.3 Superiority Resulting from Different Cultures and Worldviews |
52-54 |
|
CHAPTER FOUR THE SIGNIFICANCE OF BODY METAPHOR |
54-56 |
|
4.1 CONFORMING TO THE FEATURES OF PEOPLE'S COGNITION |
54-55 |
|
4.2 CONFORMING TO THE LINGUISTIC PRINCIPLE OF CONCISENESS |
55 |
|
4.3 STRENGTHENING THE VIVIDNESS OF LANGUAGE |
55-56 |
|
CHAPTER FIVE CONCLUSION |
56-59 |
|
5.1 SUMMARY |
56-57 |
|
5.2 IMPLICATIONS |
57-58 |
|
5.3 LIMITATIONS |
58 |
|
5.4 SUGGESTIONS FOR FURTHER RESEARCH |
58-59 |
|
BIBLIOGRAPHY |
59-63 |
|
攻读硕士学位期间发表论文 |
63-65 |
|
Acknowledgements |
65 |